September 17, 2014
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"Please." he begged me with his sparkling eyes and gorgeous smile. I want one more Mary Blake painting to remember you by.
I agreed. The next day I set up my easel for the attack on about the most crowded spot on earth -the entrance gate going up to Sacre Coeur.
Camera city.
THE PHOTO TAKERS as opposed to photographers.
If I looked up and saw a camera aimed at me and the person made a gesture as if to say is it okay?
I would nod and return to my work.
The best was when I looked up and the photo taker pretended to be aiming at the sky or the building behind me.
Unacceptable - Putting the camera in front of my face to take a photo of my painting in progress.
or the grinning housewife posing with her head next to my painting with a victory sign.
"Scat lady."
It was a real lesson in concentration, especially the way I paint. Always by trial and error. I arrange the colors first. When I find harmony approaching, I gradually weave in the subject.
A week later I presented the painting to Manuel
"It's wonderful!" he smiled. "That how I'll remember my café with the world steaming by."
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