Friday, February 7, 2014

MEDITATION

 I panic for unreasonable reasons. I stay calm with life threatening crisis. One has to in order to escape. One relief method for my panic attacks is to go to the worse case scenario
and consider if it's really tragic or not. A doctor suggested "Meditation". Painting is a form of meditation, but I will give the real thing a try although I'm not really confident that I can handle it. 
Miracles do happen.

Thursday, February 6, 2014

MIDNIGHT AT LA MUSEE D'ORSAY

water color and colored pencil 30x40cm.



Imagine being at La Musée d'Orsay late at night. All alone, surrounded by the grand sculpture collection. As the above work developed, that's what it reminded me of. Perhaps I should have added a mummy.


Thursday, January 30, 2014

WHAT WE CARRY

"What We Carry"
water color and colored pencil on papier Arches (30x40cm)
Yesterday I read an article about the oldest human being on the planet. A Japanese man 115.
Asked about his secret of longevity.  He had a lot to say. One curious comment was. "I never think about the past." Not so easy, I thought.

WAKE UP!



water color and colored pencil (30x40cm)

      
I wake before my eyes open in my atelier-apt. on the rue Tardieu. Opening my eyes, I close them again.
"Oh, It was just a dream." I muse, then try to reconstruct what I can remember of it.
Eyes open, I think about my agenda for the day. Projects.
I really have to go to Casto and get a new plug for my bathtub... doctor's appointment...post for my blog-longtime neglected, and more. Much of which I will put off.
Then there are sounds. The click of the exit door next to my window.
Robert  4th floor is going out for his baguette. Then, there's Guy 5th floor off to the Synagog.
High heeled boots. Children and strollers on the cobble stone gabbing or sometimes crying.
Time to get up!

Thursday, August 15, 2013

JON-LUC AND THE REINCARNATION

Jean-Luc Gréau is a famous French economist and also a local café-friend that I have known for seventeen years. He has published several books and has written for various newspapers including Le Monde.
His theme is, "Governments no longer exists. Banks rule the world." We have only discussed economics since I've known him. Never art. Nonetheless,  I invited him to my retrospective-exposition last spring on the le rue des Trois Frerès and he said that he would come. The next time I saw him, he apologized for not coming to the show and asked me to bring some works down to the café. He did not want to visit my studio. I didn't want to schlep into my local café like a Fuller brush salesman with an arm full of paintings.
 While rearranging my apartment a couple of weeks ago I came across a porte folio with  unframed watercolors from my show and some recent works.  Learning that the café was about to close for vacation, and seeing that he was there, I decided to take a chance. "pourquoi pas?"
He was pleased to see me with the fat bundle under my arm. We opened it up "Reincarnation", a water color that I had made in India in 1977 was second or third. This is the one I want. He asked the price and said "okay". I explained the story behind it. He didn't bother looking at the other works, but took out his checkbook and handed it over.We crossed paths yesterday and he said that he was very pleased with his choice. Looks at it in the morning and before he goes to sleep.
So,  maybe banks don't rule the world.

Saturday, May 25, 2013

POST EXPO WATERCOLORS

around the world
clara luna
Upstream

the agement
the spell


the journey
Flo



Friday, February 1, 2013

MARY BLAKE COMES OUT of the trunk


This is a water color that I made in a mountain village in notrthean Italy in 1974. 
Perhaps more exotique than the little village became.



 Jean Michel Faudemer, the director of the galerie 3F on the rue des Trois Fréres gave me a call a couple of weeks ago and asked me if I'd like to fill in a spot he had open in April. I've already shown at his lovely gallery three times and each time had a lot of fun but haven't shown anywhere in three years having finding my blog and facebook far less stressful to reveal my images and I don't have to face the crowd.

Jean Michel helped me enormously at the past openings. If someone said they liked a work, I'd immediately call him over and he would talk-it-up. When I open my mouth, I usually confuse the person so badly that his first impression becomes so tangled, the admirer  walks away.

I have lots of new work and thought that I could handle the framing so gladly agreed thinking it might wipe out the February blues in Paris.

He said that he woulds stop by the next day. We chose a few works, but then he became very curious about this large wooden trunk I had pushed aside. It's where I have kept my works on paper safe and dry for many years.
I showed him a few works and he kept saying. I want to see more.  "Encore Mary.Encore" There are probably over a hundred  oeuvres dating back to 1974 some not signed some not dated.

So we agreed to show recent works along a progression of earlier works. Une petite retrspective.
I hope it works'. 

galerie 3f
58 rue des Trois Fréres
75018 Paris
23 avril au 3 mai 2013

le galerie est ouvert de 13:30 au 19:30


bird in hand



Saturday, January 26, 2013

THE PLANET PARIS

Two score and forty minuets ago, I landed on the planet Paris. November 2nd 1972. It was a big step for me considering the uncertainties. The rest is history.

Saturday, January 12, 2013

LE RELAIS DE VINS - CHEZ LOUIS


I visited The Fourm at Les Halles today hoping to find some sport shoes to fulfill a New Year's resolution, but ended up in the same kind of panic that I feel at the Louvre. Trapped. It seemed like the labyrinth they challenge white mice also, but when I saw SORTIE rue Rambuteau I took it and found myself to safety. A neighborhood familiar when Les Halles was still a big hole in the ground.  But I thought it would be a good occasion to visit Louis at his wine bar on rue Saint Denis - if he was still there. I met Louis twenty-five years ago when I stayed in an apartment across the street on a visit from New York. "Is it your clients that wake me up coming out of the bar at two in the morning?" He smiled and said, "Yes." I melted. He even came to the exhibition that I was having in the Latin Quarter. "I can't buy a painting now he whispered, but I will when things get better..."Five years later when I had converted to painting in the street, I thought of him. It was August and I was hard up for rent money.
I showed him my recent oeuvres and he prompted me to paint his Café. I spent a colorful week on rue Saint Denis which once was galore with les filles and then 1987 was spotted with sex shops and new wave ready-to-wear boutiques including black leather bras. Long hot summer days I worked hoping he would buy it. At the end he said.
"Perhaps after my vacation." In the meantime my wonderful nephew visited me and bought the painting and paid me in bits and pieces over a years time.
On my way to his bistro I reminisced about his very kind manors and gentle voice. Why didn't I tell him back then? He was divorced and free.  I guess I lacked confidance.  
I was happy to find Louis still there with his seductive smile, but less hair. He recognized  me even with my white locks. Busy with a lunch crowd, he offered me a glass of the wine of the day. I peered over the counter and with much surprise saw my painting on his calling card. 
"Ooooh and helped myself to two of them. A gentleman having a café at the bar said,
"C'est vous qui avez fait." He remembered me from twenty years ago. I read the back. "Did he give you a credit?" he asked.
I shook my head no.
He doesn't have a right.
I said, "I know." having had a number of copyright violation, I knew very well the law.
"Louis, if I didn't love you, I'd sue you." I said waving the card.
He smiled still quite busy with customers paying up for lunch.
I had an appointment at three o'clock back in Montmartre so was out the door thanking him for the glass of wine. Well, at least I told him I thought on the way back home.



Wednesday, December 26, 2012

RICHARD PARKER a love story


I had to dig deep to find this water color painted in India in 1977.


   "Who would want to read a story about a boy in a boat with a tiger?" was the response from a girl who I asked if she had read "The Story of Pi". She was about to leave on a two month cruise in the Pacific. I had just seen the film. I loved the book about Pi and his predator tiger friend Richard Parker so dearly and for about a year actually believed that it was a true story.
     I felt sad when the end came. Wanted it to be a never ending love story. I discussed Pi with my friend Rhoderic over oysters at lunch on Friday. He considers the book a masterpiece and drew up certain conclusions that were  interesting, but different from mine.
    Aside from the great dialog, he pointed out that the boy knowing the danger to his own life fed his predator - kept him alive. Then when they had reached safety, Richard Parker goes off into the forest
and doesn't look back. I told him that I understood. There have been people in my life that  I loved and that I was unable to say good-bye when departure was definitive.
    When I had to put my dog Ruby down ...she could no longer walk...but she could stand. And in the vet's waiting room she stood and faced the wall as if she had been ashamed that the  end of our seventeen year relationship was ending.
     I fancy that Richard Parker emotionally was not able to look back. But that's me. I'm not a cat.


Ruby

Ruby
Ruby chez la princess from paintingparis.blogspot.com